If you are interested in how to draw manga in Photoshop and actually want to delve into the world of anime, this tutorial will come in handy. You will learn what manga is, what tools to use to draw it in Photoshop, and will see some examples to get a feel for a style.
The term “manga” covers many genres and styles of Japanese comics, similar to comics genres in America and Europe. Manga refers to science fiction like the cyberpunk dystopia Katsuhiro Otomo’s Akira, historical fiction like Osamu Tezuka’s Buddha, and superhero action comedies like ONE’s and Yusuke Murata’s One-Punch Man. Whichever genre you watch, whether horror, drama, or comedy, it's all manga.
Earlier, manga was divided into categories based on gender and age. Thus, the most well-known groups were shonen (for young boys) and shojo (for young girls). Currently, the boundaries between these categories are not so clear, while outside of Japan they are completely absent.
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Most artists create manga with Adobe tools since drawing anime in Photoshop is very convenient. In this program, you get a huge set of brushes and a gorgeous color palette to create comics.
The first thing that catches your eye is the color palette. Manga is typically black and white, and even with modern printing capabilities, the tradition is not broken. The matter is that a heyday of manga came in the post-war years when the country's economy was just getting up.
Few people could afford to buy color magazines at that time. We must still admit that these black and white drawings have a unique charm. Thus, if you have wondered how to color manga in Photoshop, there is no need to start with this point.
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The second obvious difference is reading traditions. Similar to other Japanese literature, manga is read from right to left. Therefore, having opened the book, don’t get surprised if you find the phrase To be continued ....
More importantly, manga is a personal work, created by one author called mangaka. The plot, storyboard, sketches, ink strokes, halftones, backgrounds, sounds, and text are all created by one person, while the production of Western comics is the result of the work of a whole team. Popular manga artists, whose work have become popular and to come out every week, hire assistants, but give them minor tasks.
Sometimes working on a manga series turns into a lifelong endeavor. Thus, the worldwide known hits of Dragon Ball by Akira Toriyama, Naruto by Masashi Kishimoto, One Piece by Eiichiro Oda took ages of permanent work from authors. Quite rarely, in different comics, you can find the same character development as manga demonstrates, because authors often replace each other, and the series is split into disparate parts.
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There are some exceptions, but they are almost unnoticeable. When talking about manga, changing an author is unthinkable! Long manga series created over the years is an opportunity to go beyond fantasy and tell the story of characters from the beginning to the end.
To convey emotions and actions in comics and animated films, Photoshop artists use the technique of visual reduction. Consider how Western comics or cartoons use multiple “Z” letters above a character's head to indicate that he/she is asleep. If a character comes up with something brilliant, there appears a light bulb over his/her head.
Thus, when a hero is upset or annoyed, depict a large bead of sweat on his head. If a character is asleep, a snot bubble comes out of his nose.
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If you see movement lines behind a hero, it can mean several situations: the hero's movement, a dramatic statement, or that someone is particularly determined, maybe to a ridiculous extent. To show embarrassment, a hero temporarily dies, turning into a ghost. By the way, you can also find out who is the winner in Manga Studio vs Photoshop battle.
It also takes more than one day to come to a more or less decent plot. You must be clear about your creation. It is not necessary to think over every frame, it is enough to create the beginning, basics, and the end. You can decide on details during the work. To know for sure if you have a plot, answer the following questions: “Who?”, “Where?”, “How did he/she get there?”, “What will he/she do there?”, “How will it end? .
It is also important to come up with characters’ profiles. Who are your characters? Where are they from? Do they have moral values or not? Do they love someone? Is there a best friend and/or enemy? What do they do and what do they strive for? Write the profile as if you were telling someone about your friend. Describe their strengths and weaknesses that will help while working on a plot.
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Work out the details carefully. We recommend writing a description of each frame. You can only describe one chapter, but note: your chapters may not match each other and you will have to rework the following steps.
If you aim at making comics in Photoshop, take advantage of free effects. By using these effects, you will make your images more attractive and funnier. Once you are done, you can share the result on Instagram to attract your followers. Besides, you can learn how to create an action in Photoshop and use your own automatic settings.This tutorial, and its second counterpart, will walk you through the process of creating a simple anime character bust from start to finish. Here we focus on the drawing side of it and creating a clean sketch, which we then render with vector to create a line art. You will need a graphics tablet or digital drawing pad for this tutorial. Alternatively, you will need to sketch your drawing onto paper and scan it in when we move on to the vector part in step 21. This tutorial is aimed at novices to the anime style.
Create a New 800 x 800px canvas (Ctrl + N) with a white background, and you're ready to begin. With any character sketch, the very first thing you'll need to do is to draw a very rough idea of the layout. In this case the layout is for a bust, or portrait, drawing, so you'll be drawing the head shape, neck and shoulders. It doesn't need to be anywhere near perfect at this point. As you'll see from the example layout below, an anime character will have a larger head than a realistically-proportioned character, and will have a thin neck. Draw your layout on its own layer, above the white background layer, by creating a new layer (Ctrl + Shift + N) and call it layout.
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Once you're happy with your general layout, lower the Opacity of that layer to 30% so that you can still see your layout, but will also clearly see anything you add over the top. You'll need to create a new layer now (Ctrl + Shift + N) for the main sketch. Name your new layer sketch. Using the Ellipse Shape Tool (U) set to Paths, create a circle roughly the same size as the top of the head on your layout sketch (see image below). Tip: If you hold down Shift while using the Ellipse Tool (U), you will create a perfect circle. Once you're happy with your circle, stroke the path using a 3px standard brush, and make sure the pen pressure box is unchecked. Delete the path after this. Then, add a small line where the center of the character's chin would be.
Using the Pen Tool (P), start a new path from the center of your chin line up to where the edge of your circle touches the lower part of the head on your original layout. Do this both sides of the head so it looks like the example on the left of the image below. Then, by adding a point to the middle of each path and dragging them outwards, curve the paths a little to follow your layout. This creates the cheeks and lower part of your character's head.
You can now stroke the two paths you just made with the same 3px standard brush you used for the circle. The example is done in red to show the new lines, but you can continue yours in black. This basic method from the past few steps is a good foundation for creating a general anime-style shaped head, as the circle part will generally stay the same, and the cheek lines will change depending on the placement of the chin line. Further tutorials of mine will show you how to draw characters from various angles, but for now, we'll focus on a basic front-facing bust like this one.
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Create a new layer (Ctrl + Shift + N) above your current layers and name it guides. This layer wont be part of the final drawing, but will help you with the placement of the facial features. Draw a red line from the very bottom of the main circle across the whole head shape. The center of the nose and the center of the mouth will be equidistant
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